Kher’s practice explores issues of identity and culture through works that straddle mediums and practices and a recurring motif in her work is the bindi. Asia Pacific Triennale, Queensland Art Gallery, (cat), Brisbane, Australia One of India’s most prominent contemporary artists, Kher uses the “medium” of traditional and sperm-shaped bindis in her practice, whether employed in swirling painted gestures or running through her eclectic range of large sculptural installations. - Misled by Nature: Contemporary Art and the Baroque, Art Gallery of Alberta, Canada (Travelling Exhibition) 2008 Bharti Kher: A Bag Full Of Love When Bharti Kher summons her artistic prowess to reinterpret an iconic fashion accessory the results might well tread into a near-cerebral experience. - Not All Who Wanders Are Lost, Isabella Stewart Gardner Museum, Boston, USA - Paris Delhi Bombay, Centre Pompidou, Paris Herein lies the transformative power of art to take the ordinary stuff of life and create something altogether new which returns us back to reality with a fresh sense of the divine, immanent all around us. The association with caste and/or the Hindu religion stems from a confusion or conflation of wearing bindis and receiving a vermilion tikka between the eyebrows at a temple. 1991 - Les Artistes Indiens d’Aujourd’hui, Palais Bénédictine, Fécamp, France - Le troisième Oeil, Lille 3000, curated by Caroline Naphegyi, (cat), Lille, France - The Empire Strikes Back: Indian Art Today, The Saatchi Gallery, London Bharti Kher’s oeuvre spans more than two decades and includes paintings, sculptures and installations. New York, Jack Shainman Gallery, Bharti Kher- An Absence of Assignable Caused, November-December 2007 (illustrated in colour, pp. This work is one … And it’s not just India either. 2002 - Messengers, Grunwald Gallery of Art, Indiana University, Bloomington, USA - Ishara Art Foundation, Dubai, United Arab Emirates - Cryptograms, Lakeeren Art Gallery, (cat), Mumbai, India Kher's primary material is manufactured versions of traditional Indian bindi. The artist Bharti Kher Born 1969, London, UK. 1988 Education 1988. - French Government residency, Paris, France This magazine article is about one of the artworks in the exhibition titled Virus XI (2020). - Open Circle Exhibition, Lakeeren art Gallery, (cat), Mumbai, India Address. Secondly, she locates her work in-between a society, entrenched in class divisions and prescribed gender roles, that retains a strong desire to be, but has never been, ‘truly modern’ which for sociologist Bruno Latour is also ‘truly hybrid,’ a condition where distinctions between humans and nature, ecology and politics are blurred. - Art & Textiles – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Wolfsburg, Germany - Quasi-, mim-, ne-, near-, semi-, -ish, -like, Gallery Ske, Bangalore, India In part inspired by artists such as Hieronymus Bosch, Francisco Goya and William Blake, Bharti Kher references magical beasts, mythical monsters and allegorical tales in which they might feature in her work. - Relations (Diaspora and Painting), Fondation Phi, Montreal, Canada - The Private Softness of Skin, Bose Pacia Modern, New York (cat), USA - The Sneeze 80x80, curated by Peter Lloyd Lewis and Natasha Makowski, Cape Town, Durban Kher’s works thus appear to move through time, using reference as a counterpoint and contradiction as a visual tool. 2004 Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. - Trade Routes, Hauser & Wirth, London, England Used as the ultimate mark of female beautification results in something New altogether and there... 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